Stoked on my latest cover! Julian Carr shredding Solitude Mountain Resort on the January cover of SKI Magazine.
What is an environmental lifestyle image? Seems pretty self-explanatory, right? It’s an image that gives as much (if not more) attention to the environment, as it does to the activity taking place. It’s the perfect marriage between location
For me, it’s like having my cake and eating it too. I discovered my passion for photography in scenic landscape work. I have also been an avid participant in many recreational pursuits since a young age. It’s a combo that takes me to many beautiful locations, while watching and/or participating in the things I love to do.
This image embodies everything I love about fly fishing on the ocean. Clean, open air. Limitless space. Uninhibited motion. Surreal landscape. Endless skies. Soft, barefoot sand. Whether approaching it with a camera, or a rod in hand, it is an absolute dream.
This image was captured about 15 min before sunset. Having that sun low on the horizon emphasized the repetitive texture in this spit of sand. The location was perfect here. The activity was spot on. But the light it what brought this image to life. Without light, this image is an average shot of a dude casting to bonefish on a pleasant spit of sand in the middle of the Bahamas. And we all know that average is just as close to the bottom as it is to the top.
Don’t be average.
Is that not what this whole photography thing is all about??? The first memory I have of picking up a camera for any purpose beyond simply documenting what was occurring in front of me was to simply share with others. Share the beauty. Share the wonder. Share the ridiculous. Share the inspiring. Share something that made someone say “wow”. Share something that made someone want to go and explore their backyard, go adventuring and lose t
While some things have changed about my approach to photography, one thing remains constant–and that is my desire to share with others that which I see. I am fortunate to see crazy cool stuff in unbelievable locations all over the world. I count myself lucky each and every day.
This image reminded me of that this morning. Shot deep in the Trinity Alps of northern California, this locale felt like something out of a fairy tale. Skinning through old growth forests plastered with moss and lichen–so cool!
A telephoto lens was key in compressing the scene, enhancing the layers of forest, and filling the frame with color and texture. Understand your equipment, and how it can help you maximize each location and each shooting opportunity. Know what you want, and have the technical backing to go out and get it. Finally, share! Share your work. Share your vision. Inspire and be inspired!
Yowza! My last blog post was Sept. 28th–feels like forever ago. I’ve essentially been on the road since the first of October. Happy to be back in the 801 with my fam, enjoying the holiday weekend. Germany, Italy, NYC, Orange County, Bahamas. Join me for an iPhone recap of my most recent travels–looking forward to sharing some imagery from behind the big boy camera some time soon…
For those of you who live in or near Park City, UT, you will quickly recognize this barn. It is certainly one of the more photographed structures in northern UT. And rightly so! The Osguthorpe Barn (or McPolin Barn depending on who you talk to) has greeted visitors and locals alike traveling in to Park City since 1921. Simply put, it is a classic.
I have photographed here many times before, I’ll
I arrived at this location later in the morning, and low fog was just beginning to thin out. I was excited to be at this spot with conditions I’d never seen before! I worked through several compositions, but none of them really worked as a whole.
Finally, I settled on a wider angle image, utilizing cattails as my FG subject. I’ve shot from this exact location before in the winter, but this time the grouping of cattails seemed more elongated towards the barn, and a vertical composition seemed more appropriate.
I actually began composing this image with my 16-35mm lens. I wanted to incorporate a more complete wide angle foreground, but I still wanted to maintain emphasis and hold the viewer’s attention on the barn itself. With the 16-35mm stopped down for maximum DOF, the scene felt busy, and my eye simply wouldn’t settle on the barn as I’d like it to.
Finally, I chose to pull out my 24mm tilt shift lens. By both tilting my plane of focus and shooting at a wide open aperture of f4.5, I was able to have my cake and eat it too.
The cattails are selectively blurred, giving context and providing the FG filler that I was looking for. Yet the sharp contrast in sharp vs. blurred takes the eye directly to the barn. Why didn’t I just shoot my 16-35mm wide open? Being a super wide angle f2.8 lens, it wasn’t giving me quite the separation that I needed from a DOF standpoint. Why didn’t I throw on a longer lens and utilize a shallow aperture to achieve that separation? Throwing on a longer lens would have effectively flattened this scene. I would have gotten that separation, but I would not have achieved the depth I get from a wide angle composition–I would not have that immediate, engaging FG element grab the viewer in the same way it does from a wider angle approach.
Much of photography is about simple problem solving. It all begins, however, with a clear vision of what you hope to capture. Know what you want out of a location. Know what type of image you hope to come away with. This will serve as your mental blueprint as you work through the small problems to achieve your final photographic goal.
This photography thing–it’s about light!
I’ve had many people ask me throughout my career how I achieve “that look” in my imagery. My answer is always the same–it’s about being where you need to be when Mother Nature puts on the light show, and it’s about understanding how to capture it.
Skies were gray and stormy last night in the Salt Lake valley, yet there was a sliver of sky on the horizon that gave me enough hope to get out and shoot some trail running imagery. We …
shot some stuff with killer clouds, and then we watched (and proceeded to run around like chickens with our heads cut off!) as the sun slipped into that sliver of sky and proceeded to bathe everything around us in a hue of gold nearly impossible to describe.
The image comparison here is perfect for illustrating the immense power of golden light. You can’t replicate it. Two shots, nearly identical save for the ridiculous gap light in the image on the right.
This is our winning lottery ticket. This is our jackpot. This is our payday. This is our pie in the sky. Light like this is what we live for. Find it. Shoot it.
You’ll spend the rest of your lifetime chasing it.
I want to take a quick moment and thank everyone who came out to the sold out event last night at Pictureline Inc. As always, it was a fantastic experience with a wonderful audience that was engaged and full of energy. If you didn’t make it out last night, you can check out my presentation above, thought it obviously won’t include my commentary throughout the presentation. As always, many thanks to all of my sponsors that help to do what I do! Thank you Arcteryx, Suunto, Mountain Khakis, Singh Ray Filters, Manfrotto School of Xcellence and Mark Miller Subaru!
Who am I? What do I do? Where have I been? Have a look-see at the video. Thanks for stopping by…
Who loves photography in the fall? I do! And I can imagine you do too. It’s one of my absolute favorite times of year to capture Mother Nature at her finest. Join me this year in one of the most scenic locations for fall photography (as noted by MSN.com!) in the spectacular Ogden Valley. Click on the image for workshop details, and I hope to see you there!
What can I say??? I love my car, and I’m a sucker for good video. Many thanks to my assistant Nate Sorensen and NS Innovative for the killer edit. This was filmed over several days in the Palouse region of eastern Washington. It served as a fun project to work on, especially when conditions weren’t overly conducive to stellar landscape photography. And of course, huge thanks goes out to my vehicle sponsor, Mark Miller Subaru for their support!