For those of you who live in or near Park City, UT, you will quickly recognize this barn. It is certainly one of the more photographed structures in northern UT. And rightly so! The Osguthorpe Barn (or McPolin Barn depending on who you talk to) has greeted visitors and locals alike traveling in to Park City since 1921. Simply put, it is a classic.
I have photographed here many times before, I’ll
I arrived at this location later in the morning, and low fog was just beginning to thin out. I was excited to be at this spot with conditions I’d never seen before! I worked through several compositions, but none of them really worked as a whole.
Finally, I settled on a wider angle image, utilizing cattails as my FG subject. I’ve shot from this exact location before in the winter, but this time the grouping of cattails seemed more elongated towards the barn, and a vertical composition seemed more appropriate.
I actually began composing this image with my 16-35mm lens. I wanted to incorporate a more complete wide angle foreground, but I still wanted to maintain emphasis and hold the viewer’s attention on the barn itself. With the 16-35mm stopped down for maximum DOF, the scene felt busy, and my eye simply wouldn’t settle on the barn as I’d like it to.
Finally, I chose to pull out my 24mm tilt shift lens. By both tilting my plane of focus and shooting at a wide open aperture of f4.5, I was able to have my cake and eat it too.
The cattails are selectively blurred, giving context and providing the FG filler that I was looking for. Yet the sharp contrast in sharp vs. blurred takes the eye directly to the barn. Why didn’t I just shoot my 16-35mm wide open? Being a super wide angle f2.8 lens, it wasn’t giving me quite the separation that I needed from a DOF standpoint. Why didn’t I throw on a longer lens and utilize a shallow aperture to achieve that separation? Throwing on a longer lens would have effectively flattened this scene. I would have gotten that separation, but I would not have achieved the depth I get from a wide angle composition–I would not have that immediate, engaging FG element grab the viewer in the same way it does from a wider angle approach.
Much of photography is about simple problem solving. It all begins, however, with a clear vision of what you hope to capture. Know what you want out of a location. Know what type of image you hope to come away with. This will serve as your mental blueprint as you work through the small problems to achieve your final photographic goal.